MADONNA’S SATANIC BLACK MASS AT SUPERBOWL: VIGILENT CITIZEN: Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.

VIGILENT CITIZEN: Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.

Madonna’s Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry

By  | February 6th, 2012 | Category: Music Business | 137 comments

When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.

A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:

“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”

It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show.

Vogue or Entrance of the Priestess

Madonna entrance is an elaborate procession fit for a High Priestess or even a goddess.

Pushed by hundreds of Roman soldiers and welcomed by hundreds of women, Madonna’s glorious entrance is a reflection of her status in the entertainment world.

Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess.

The decor of Madonna’s first performance combines elements from ancient Egypt, Sumeria and Babylon. Madonna herself is dressed in a way that highly resembles an Ancient Sumerian/Babylonian goddess, Inanna-Ishtar.
Ishtar with her foot on a roaring lion and wearing a distinctive headdress resembling Madonna’s horned crown. Ishtar is often depicted with wings, a feature that is recalled on Madonna’s “carriage”.

Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna’s portrayal as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star – a name also attributed to Lucifer in occult schools.

So, in this mythologically-charged setting, Madonna performed Vogue. During the performance, covers of Vogue Magazine were displayed, a publication that is at the forefront of Illuminati symbolism in fashion (as seen in the series of articles Symbolic Pics of the Month).

Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance, one that is also of highest importance in occult Secret Societies such as Freemasons, the Rosicrucians and the Illuminati: the Winged Sun-Disk.

The song ends with the displaying of a Winged Sun-Disk.

Egyptian mystics used the winged sun for ritualistic magic and invocations:

“‘Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the alter in an easterly direction and used when invoking the protection and co-operation of the sylphs.”
-
Hope, Murry, “Practical Egyptian Magic”

The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucians.

“The Winged Globe is pre-eminently a Rosicrucian symbol, although the Illuminati may lay claim to it, and it may be admitted that it is of Egyptian origin. The Winged Globe is the symbol of the perfected soul making its flight back to the source of its creation in the Elysian fields beyond.”
-Swinburne, Clymer, “The Rosicrucians, Their Teachings”

The symbol of the winged-sun inside a Masonic lodge.

The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance.

Give Me All Your Luvin’ or Madonna’s Sex Kittens

Later in the show, Madonna performed her new single Give Me All Your Luvin’. The song features two new industry favorites: Nikki Minaj and M.I.A. In the song’s music video and during the Superbowl performance, these two female rappers are portrayed in a specific way:  Instead of being presented as full-fledged artists contributing to Madonna’s song, they are portrayed as her “minions” who are cheering for the industry’s High Priestess. This “relationship” where Madonna is in power – and therefore the handler – is drenched in Mind Control symbolism, specifically Beta Programming, also know Sex Kitten Programming.

In the video for Give me Your Luvin’, Madonna, Nikki Minaj and M.I.A. are dressed as Marilyn Monroe, the ultimate prototype of Sex Kitten Programming.

Another symbol associated with Sex Kitten programming is feline prints clothing and textiles. The entire half-time show was an animal-print extravaganza.

Like a Prayer or the Final Sermon

Madonna closed the halftime show with one of her biggest hits: Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. As the song starts, the show takes on a very solemn and spiritual vibe as Madonna and Cee-Lo Green enter the stage to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…black masses.

As the song begins, a huge eye pupil is displayed before the stage, hinting to the Illuminati-influence of this spiritual performance.

http://vigilantcitizen.com/musicbusiness/madonnas-superbowl-halftime-show-a-celebration-of-the-grand-priestess-of-the-music-industry/

Pentagram/Baphomet on her crotch. Also you can see sight of abuse if you look close enough at her crotch.

15 thoughts on “MADONNA’S SATANIC BLACK MASS AT SUPERBOWL: VIGILENT CITIZEN: Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.”

  1. The Church will always find something to look into and analyze to death. Instead of publicly stoning someone, why not pray for them or pray with them. It’s a great pleasure for me to say I am no longer a Christian. I don’t wear the labels of hypocrisy. I am a believer in Christ and in the red letters. Showing a picture of a bruised woman in an unflattering manner is more disgusting to me than seeing a pupil on a stage. Judge not, sinner. I’ll pray with you as well.

  2. Did you ever think that the bruising was from her practicing from that routine. Not only did she do the Super Bowl but her new concert tour. The lady works out alot. I agree with everything else, but don’t put meaning where theres none.

  3. I am unsure of her relevance anymore (or ever for that matter). She certainly has an agenda to be forced upon us and that is comical at best and troubling for all us Dads with little girls, at worst. The bruising shown is quite disgusting, but it is typical of a person with her values. Keep up the good work on the website. Cheers!

  4. I guess that I don’t have a lot in common with people who watch television, the Super Bowl or Madonna. I haven’t had one in 20 years. When I’m at a motel it usually stays turned off the entire visit and gets used for a shelf. I can’t remember the last time that I watched a Super Bowl. I don’t even know who played in it this year or who won. For some reason I don’t feel culturally deprived, I guess I look at it as cartoons for grown ups.

  5. I’m not sure that I see the relevance or importance of Madonna or the Super Bowl. Does it effect legislative or constituency voting trends or debase the morality of society anymore than an adult book store, is it a causal factor of societal change, and if so, what does it change?

  6. I guess shes gone MAD , you know MAD -DONNA, she better be careful, changing her name to ESTHER, doent make her QUEEN OF THE JEWS/? shes on a slippery slope, one that doesnt BODE well for MAD- DONNA, shes just an instrument of a sad sad society,people have too much time on their hands.Like in the times of MADUCCA, she shall turn to STONE.

  7. Thanks for the very informative article. I have removed myself from pop culture for many years while I became intrenched in the issures facing us today. I find it very interesting to see how far the United States has come towards embracing those who we know to be our greatest enemies. I just wonder how many Americans thought it was a wondrful show? We fight the same enemy and wage the same war we have faced throughout the history of the world. The players change but that’s all that’s different. I can remember as a child growing up in a small town where there were many who believed television was the tool of the enemy and I thought they were foolish old fogies. Now after seeing such as this, I think they may have been right all along. Without it, Madonna would never have had the world stage to prance through her sermon. Let her prance. Her day is coming.

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